Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Gleason, Harold: A Seventeenth-Century Organ Instruction Book. Bach 3/1 (Jan 1972), 3-12. | |
| 2. | Winzenburger, Walter P.: Meter and Tempo Indications in Music of the Early Baroque. Bach 3/1 (Jan 1972), 13-21. | |
| 3. | Spitta, Philipp: Litterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] Bach 3/1 (Jan 1972), 22-26. Trans. by Walter Winzenburg. | |
| 4. | Herford, Julius: Bach's Models of 'Good Inventiones'. Part II. Bach 3/1 (Jan 1972), 27-30. | |
| 5. | Winzenburger, Janet; Barber, Elinore: Riemenschneider Bach Library Vault Holdings. Bach 3/1 (Jan 1972), 31-34. Brossard, Sebastian de. Dictionnaire de Musique; Grassineau, James. A Musical Dictionary; Rousseau, Jean Jacques. Dictionnaire de Musique; Bach, Carl Philipp Emanuel. Herrn Professor Gellerts Geistliche Oden und Lieder mit Melodien von Carl Philipp Emanuel Bach; Brahms, Johannes. Ein deutsches Requiem | |
| 6. | Rudolf, Max: Storm and Stress in Music, Part I. Bach 3/2 (Apr 1972), 3-13. Renaming a Drama; A Muddled Plot; Geniezeit; Richter's ABC Book; Wyzewa's Blunder. | |
| 7. | Mulbury, David: Bach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] Bach 3/2 (Apr 1972), 14-27. I - Introduction; II - Historical Background | |
| 8. | Herford, Julius: Bach's Models of 'Good Inventiones'. Part III. Bach 3/2 (Apr 1972), 28-30. | |
| 9. | Dupré, Marcel: Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. Bach 3/2 (Apr 1972), 31-32. | |
| 10. | Kochevitsky, George A.: Performing Bach's Keyboard Music -- The Choice of an Instrument. Bach 3/2 (Apr 1972), 33-37. | |
| 11. | Barber, Elinore; Winzenburger, Janet: Riemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications. Bach 3/2 (Apr 1972), 38-39. Choquel, Henri Louis. La Musique rendue sensible par la méchanique ou nouveau systeme pour apprendre facilement la musique soimême, ouvrage utile et curieux nouvelle édition; Monnet, Jean, ed. Anthologie François ou Chansons choisies, Depuis le 13 Siècle jusqu'a présent. | |
| 12. | Babitz, Sol: To the editor of Bach. Bach 3/2 (Apr 1972), 40-43. | |
| 13. | Rudolf, Max: Storm and Stress in Music, Part II. Bach 3/3 (Jul 1972), 3-11. Zeitgeist; Opera Seria and the Obbligato Recitative. [errata in Bach iii/4 (1972), p.41] | |
| 14. | Mulbury, David: Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. Bach 3/3 (Jul 1972), 12-20. III Structure and Symmetry; IV Performance. | |
| 15. | Krenek, Ernst: Postscript to the 'Parvula Corona' Bach 3/3 (Jul 1972), 21-26. | |
| 16. | Leaver, Robin A.: Leipzig's Rejection of J. S. Bach, Part I. Bach 3/3 (Jul 1972), 27-39. | |
| 17. | Winzenburger, Janet: Riemenschneider Bach Library Vault Holdings. Bach 3/3 (Jul 1972), 40-42. Burney, Charles. Memoirs of Dr. Burney arranged from his own manuscripts, from family papers, and from personal recollections by his daughter, Madame d'Arblay; General History of Music; Bach, J.S. Collected Keyboard Works. | |
| 18. | Babitz, Sol: To the Editor of BACH. Bach 3/3 (Jul 1972), 43-44. From Our Readers. | |
| 19. | Leaver, Robin A.: Leipzig's Rejection of J. S. Bach, Part II. Bach 3/4 (Oct 1972), 3-7. | |
| 20. | Rudolf, Max: Storm and Stress in Music, Part III. Bach 3/4 (Oct 1972), 8-16. Storm and Stress in Instrumental Music. | |
| 21. | Mulbury, David: Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. Bach 3/4 (Oct 1972), 17-24. Organ, Harpsichord, or Clavichord?; Registration; Summary | |
| 22. | Schweitzer, Albert: Albert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons. Bach 3/4 (Oct 1972), 25-27. | |
| 23. | Kochevitsky, George A.: Performing Bach's Keyboard Music -- Phrasing. Bach 3/4 (Oct 1972), 28-32. | |
| 24. | Winzenburger, Janet: Riemenschneider Bach Library Vault Holdings. Bach 3/4 (Oct 1972), 43-44. Corelli, Arangelo. Trio Sonatas, Op. 1-4; Johann Adam Hiller. Lebensbeschreibungen berühmter Musikgelehrten und Tonkünstler, neuer Zeit. | |